The Curiosities – Sue Healey
The Curiosities is a performance installation, dance & film. This work is about the body – the curious complexities of form – in particular the intricate structures of the heart and the brain. Images of the body amplified by digital technology are combined with live dance, probing our perception of reality and sensation. “An intricate, engrossing multimedia dance experience.” Realtime “Immensely playful and surreal, (Healey’s work) offers moments of great intensity and sensitivity…” Dance Australia
www.suehealey.com.au
And then something fell on my Head – Ashley Dyer
Ashley Dyer – and then something fell on my head Publicity Shots
We was them – SOIT
I wrote music for this show in Brussels along with Jason Sweeney. WE WAS THEM. Directed By Hans Van den Broeck. In this performance five dancers explore the Stockholm Syndrome, the psychological phenomenon in which a hostage comes to sympathise with the kidnapper. In total isolation, cut off from the outside world, they look feverishly [...]
Hole in the Wall
Matthew Prest & Clare Britton – HOLE IN THE WALL I wrote music for this performance work, which premiered at Campbelltown Arts Centre, and later on was performed at the Arts House (Meat Market) in Melbourne, as part of the NextWave Program, and then at Performance Space, Carriageworks – in Sydney We also produced [...]
Tino La Bamba, Publicity shots
My name is Tino La Bamba. I am forty two years old and I come from from Alcaca, Spain, a small city on the outskirts of Madrid. This is my diary that follows my journey to Lismore, Australia. And I hear you ask, “why Lismore Tino?” For this is the question that many have asked [...]
‘The Memory Progressive’ – Phantom Limbs
Phantom Limbs is a young and emerging dance company which was founded in early 2008 as the result of the extremely successful partnership of dancers James Welsby and Amy Macpherson. I will be writing music for their show in 2010, titled ‘The Memory Progressive’ http://phantomlimbsdance.blogspot.com/
Thousands – Matthew Day
I wrote the live score to Matthew Day’s work Thousands, which is part of a Trilogy “IT’S LIKE DISCO BUTOH IN A GOLD WASH. THAT’S ABOUT THE BEST I CAN DESCRIBE IT.” John Bailey Presenting a series of quiet moments and details in an exquisitely poised and controlled performance by Matthew Day, Thousands simultaneously suggests [...]